Archive | March, 2026

Reliability vs. Fame

19 Mar

I’ve been a performer my entire life, and I’ll acknowledge that one of the things I really wanted when I was younger was to be famous. I couldn’t really articulate those reasons no matter how hard I tried; it was simply a case of the grass is greener on the other side.

On the other hand, having been born with Moebius syndrome, I knew that finding work as a performer would be quite challenging given that my bilateral facial paralysis might be off-putting to producers or casting directors. I suppose in a way this helped to ground me, for at least I knew my limitations and was wise enough to realize that being famous wasn’t a guarantee, no matter how hard I worked in the field I loved. I certainly knew that finding employment in show business as a person with a disability would be a daunting task in and of itself, and for a while I simply didn’t look for work at all.

Thankfully, I learned a couple of valuable lessons in high school. First, if I tried seeking popularity, I wouldn’t get very far. However, if I focused on nurturing those interests that I loved, I would receive recognition for them simply because I wanted to succeed in those areas rather than worry about people’s opinions of me. Another lesson that I took away from high school is that the popular kids aren’t always the happiest. Maintaining one’s standing in the social hierarchy of high school isn’t easy, particularly taking into account peer pressure and the desire to fit in. Now think about fame as being the ultimate expression of belonging to the “in” clique, with many more perks but twice as many hangups. Your privacy disappears, people’s judgments can directly impact your popularity, and you won’t always know who your friends are.

For myself, I prefer to be reliable rather than famous. Being reliable in this instance means being punctual, polite, and prepared to work. I often find this to be a better alternative to being popular simply because this is well within the framework of what I can relate to. I can’t always control what people think of me, but I can certainly control my reactions to their behavior. And if I’m working on activities that I enjoy or can contribute to other people’s projects in a meaningful manner, that far outstrips anything I might acquire if I were famous. I’d rather be that person who people always come to because they know they can count on me for having a strong work ethic than be the “it” guy. Frankly, most people who are in the spotlight can have their careers taken away at any time simply by being replaced by the next up-and-comer. It’s harder to be replaced when you’re the expert the other experts rely on.

I think Clint Eastwood said it best: “Chasing fame is like chasing ashes blown by the wind; it neither ignites a fire nor stays put.” When push comes to shove, fame is notoriously unreliable. It doesn’t necessarily guarantee steady work, and it can dry up very quickly. I’d rather focus on being a solid member of my community who can be counted on to show up in all the right ways where it counts the most.

An Introduction to our Concert

16 Mar

Hello, and welcome to our concert, “Legacies.”

In putting together this concert, a great deal of consideration was given to the fact that we are celebrating the 30th anniversary of one of the seminal works out of GALA Choruses, NakedMan. NakedMan in its entirety describes the experiences of what it was like to be a gay or bisexual man in the time of AIDS. While you will not hear the majority of the commission this evening, “Legacies” includes commissioned works from other GALA choruses which also cover many of the themes included in NakedMan. I wish to thank the composers Robert Seeley and Robert Espindola for creating this outstanding piece of music.

I’d like to take a moment to recognize the following: Many of you in our audience have never had the opportunity to hear NakedMan. In fact, quite a few of you are from a generation that has never felt the impact of AIDS. The closest analogy that any of your generation can relate to is the recent Covid-19 pandemic. Even here, however, there are marked differences. Covid-19 sparked a massive worldwide lockdown and a desperate search for a vaccine that would eventually slow the spread of the disease. Not so with AIDS. For years, AIDS was considered to be a gay disease, and thus an entire population of people was decimated by the virus both  before and after  President Ronald Reagan finally acknowledged the disease’s existence in 1987 after the death of his friend, Rock Hudson. Eventually, research was started in the hopes of finding a vaccine for the disease.

As of 2026, there is still no cure for AIDS.

I can tell you that there are countless stories about how each of our members has dealt with AIDS, homophobia, religious fundamentalism, and worse. Indeed, this is the concert in which I wish we could explain what it was like to live through the AIDS crisis. With such a short amount of time allotted to us, I would like to instead like to acknowledge the one lesson that we can impart to our audience in the two hours we have with you: Our voices matter. Especially in these times, when civil rights laws are failing us and we are beset by many people who would see our communities suffer, this is our time to sing out. We’ve learned this lesson the hard way many times over through the AIDS crisis, ballot measures put forth by the OCA and other groups, and more. And still, we sing. We have taken the lessons of the civil rights movement to heart in recognizing that when we protest together, we create an indomitable force of change that is impossible to ignore.  By being present here, both as audience members as well as through the partnership of our combined choruses, we stand strong as a unified community that is working tirelessly for change and equal rights. Thank you for joining us. 

You may read more about “Legacies” and get your tickets here: https://portland-gay-mens-chorus.my.salesforce-sites.com/ticket/#/events/a0SPC000002vudq2AA